enya FASHION QUEEN

EDITOR Annie Chien｜TRANSLATOR Aurora Lin｜ART DESIGN Mike Chiu｜PHOTOGRAPHER Sanko Chen｜MAKE UP Jean｜HAIR Tim Liu @UNDER hair｜LOCATION SPACE STUDIO｜OUTFIT FENDI, LOUIS VUTTION, PETER WU, SHIATZY CHEN

出道十五年，對多數歌手而言，是一段足以回顧也足以被定義的時間；但對 Bii 畢書盡來說，這一年更像一個轉彎——不是加速，而是刻意放慢。離開家鄉、在台灣生活近二十年，從舞台上的歌手，到成為丈夫與父親，角色的轉換讓他重新感知時間的重量。

看著愛女成長的速度，遠比自己出道以來的歲月來得快；第一句話、第一次上學，都在提醒他，生活本身值得被好好感受。現在的畢書盡，不再急著為未來畫下宏大的藍圖，而是選擇在當下累積更多真實的片段。這份心境，悄悄反映在他的創作與行動裡，音樂昇華為一種陪伴；公益是對世界的一種回應。邁入第十六年的他，選擇把節奏調慢，把感受放深，把能留下的，留給時間。

Fifteen years into his career, time no longer serves as a milestone to be defined, but a bend in the road—one that asks not for acceleration, but restraint. For Bii, this moment marks a deliberate slowing down.
Having lived in Taiwan for nearly two decades after leaving his hometown, the transition from singer to husband and father has reshaped how he experiences time.

Watching his daughter grow—her first words, her first day at school—has made the passage of days feel weightier than any anniversary on stage. These moments, fleeting yet irreversible, have shifted his focus away from grand projections of the future, toward what can be felt and preserved in the present.
Music, for him, has evolved into a form of companionship. Public service, a quiet response to the world. Entering his sixteenth year, Bii chooses to move more slowly, to feel more deeply, and to leave what matters to time itself.

「現在比較想放慢步驟，去感受生活。」這句話，幾乎貫穿了 Bii 近年的狀態。當了爸爸之後，他對時間的理解變得截然不同——女兒從牙牙學語到踏入幼稚園，只是一轉眼的事，接下來還有小學、大學、工作，每一個階段都來得比想像中快，令他開始珍惜那些過去容易忽略的片刻。從舞台回到家，從歌手回到丈夫與父親，他不再急著證明什麼，而是更明白自己想留下什麼。

在台灣將近二十年，歌迷一路陪著他走過不同階段，有人結婚、有人當了父母，也有人把他的音樂當作生命裡的重要記憶。Bii 很清楚，自己能給的，或許不是華麗的承諾，而是那些多年後仍能被想起的旋律：「為了老婆、女兒，也為了歌迷，我希望可以寫出大家未來回想起來，還能有感覺的音樂。」這成了他此刻最真實的目標。

“Lately, I’ve wanted to slow down—to really feel life,” Bii says. Becoming a father altered his understanding of time entirely. His daughter’s growth unfolds at a pace far faster than his own career ever did, reminding him how quickly each stage passes.
Returning home from the stage, he no longer feels the need to prove anything. What matters now is what remains.
Having spent nearly twenty years in Taiwan, Bii knows his audience has grown alongside him—some married, some became parents, others carrying his music as part of their personal history. He does not promise spectacle. What he hopes to offer instead are melodies that linger long after the moment has passed.
“For my wife, my daughter, and for the fans,” he says, “I want to write music that still resonates when people look back.”

過去的 Bii，音樂更多是向外釋放；現在，他更在意歌曲能否陪在某個人身邊，時間的積累，改變了他看待創作的方式。在創作時，他總先問自己兩個問題：這首歌能帶給聽的人什麼感覺？又能不能勾勒出一個清楚的畫面？

這樣的轉變，來自他自身的經驗。十七歲離開韓國，長時間在異地生活，想家的情緒並未隨時間消失，反而在某些時刻格外清晰。對母親、對家鄉味道的思念，讓他希望自己的音樂，能成為離鄉之人的情感出口，一曲短短三、四分鐘，讓人可以放心投射、釋放，再重新整理自己。

他在新作品中，寫下歌迷像太陽相伴的比喻，多年來，彼此繞著生活前進，有過風雨，也一起等過天晴。如今的簽唱會現場，出現的是帶著另一半，甚至懷有身孕的歌迷，那些畫面讓他深刻感受到，這早已不是單向的支持，而是一種彼此照看的關係。音樂，在這之中成了一條溫暖而穩定的線。

Earlier in his career, music was a means of expression directed outward. Today, Bii measures a song by a different standard: whether it can stay with someone. When he writes, he asks himself two questions—what emotion does this leave behind, and what image does it carry?
His own story informs this shift. Leaving Korea at seventeen, living far from home for years, the sense of distance never fully faded. Thoughts of his mother, of familiar flavors and places, return unexpectedly. He hopes his music can serve as a quiet refuge for those who live between places—a few minutes where emotions can surface, settle, and find clarity.
At recent fan events, he notices something new: couples attending together, some expecting children. The relationship between artist and audience has long surpassed one-sided support. It has become mutual, sustained by time. Music, in this space, forms a steady and gentle thread.

身為公眾人物，Bii 始終相信，影響力不該只是被看見，而是能被實際使用。早年隨著世界展望會前往衣索比亞，親眼看見取水需要走上數小時，而那仍是與動物共用的水源，這段經驗深深衝擊了他對生活的想像。回到日常，他開始提醒自己，不浪費，是對地球最基本的回應。

近年，他也持續參與不同公益行動，包括協助北醫為腦性麻痺兒童與成人拍攝公益影片。面對那些努力復健，想重新走路、跑步、踢球的孩子，他感受到「一份心意」並非抽象概念，而是能真實改變某個人的未來。

在這些經驗中，他看見的不只是弱勢，而是人與人之間如何互相支撐。他認為，公益並不一定要轟轟烈烈，而是在能力範圍內，持續付出。即使只是多一點時間、多一點關心，都可能產生影響，這樣的信念，也悄悄形塑了 Bii 面對世界的態度。

As a public figure, Bii believes influence should be used, not merely seen. Years ago, traveling to Ethiopia with World Vision, he witnessed firsthand the reality of communities walking hours for water—water shared with animals. The experience reshaped his perception of daily life. Since then, he has treated restraint—not wasting—as a fundamental responsibility.
In recent years, he has also participated in charitable projects closer to home, including working with Taipei Medical University Hospital to support children and adults with cerebral palsy. Watching individuals relearn how to walk, run, or simply move freely made him realize that goodwill is not abstract—it can tangibly alter a future.
For Bii, philanthropy does not require grand gestures. It lives in sustained attention, within one’s means. Even small acts, he believes, can carry weight.

經歷不同階段後，Bii 形容自己變得「比較柔軟」。面對壓力，他選擇用運動、跑步這些最實際的方式照顧自己，把情緒從腦袋轉移到身體；面對低潮，他記住那一句提醒自己的話：「今天，是昨天離開的人最渴望的一天。」於是，他學會不輕易浪費當下，這也是他特別想告訴歌迷朋友的話。

在家庭裡，他用同樣的溫柔教育女兒成長，教她如何與人相處、如何表達情緒；在社會裡，他選擇把看見的世界，轉化為行動，無論是音樂、公益，或是生活本身，Bii 不追求快速抵達，而是希望留下能被時間保存的痕跡。

邁入第十六年，他依然站在舞台上，但姿態已不同。最珍貴的不是聲量，而是那些曾與他共同度過、留下深刻印記與互相照亮的存在。

With time, Bii describes himself as having grown “softer.” When facing pressure, he turns to the simplest rituals—running, movement—allowing emotion to pass through the body rather than remain trapped in thought. During moments of doubt, he recalls a phrase that grounds him: “Today is the day someone else no longer has.”
In his family, he carries the same gentleness into how he guides his daughter—teaching her how to express herself, how to understand others. In the world beyond, he transforms observation into action, whether through music, charity, or the way he lives.
Now entering his sixteenth year, Bii remains on stage, but with a different posture. What matters most is no longer volume or visibility, but the connections formed along the way—moments shared, light exchanged, and traces left quietly in time.